January 30, 2007

Z-Trip, DJ P, & the mixtape

uneasy_listening_cover.jpg


Z-Trip and DJ P took the mixtape to another level in 2001 with Uneasy Listening – Against The Grain Vol 1. These two hip hop DJs figured out in the late 90's that a dance party, particularly full of white people, will go bananas for 80s music unexpectedly and seamlessly mixed into their set with another hip-hop beat. This worked particularly well for 80s music since a lot of the drum tracks in that era were electronic anyway. Thus began the life of the mash-up and the death of the scratching, vinyl toting, hip-hop DJ.

Only 1000 copies of this CD mixtape were pressed (a few years later it was repressed on clear vinyl in an edition of 2000) but people kept duplicating the mixtape for friends and the it resurfaced in 2002 on numerous year-end lists like Rolling Stone's" Top Musical Moments" or URB's list of top albums. Both DJs were able to book separate national tours after this, where they eventually sold the rest of those original pressings. This is where I got my copy when DJ P came to perform at my college way back when. The tech at our radio station actually made a recording of this show—speak up if you want to hear it.

The precision in the nearly instant beat matching these guys could do was impressive, technically more impressive than the ADD overlapping of Girl Talk, because they had to adjust the pitch of every record without a computer and without any presets. I pick on Girl Talk even though I like what he does because he is the "it" DJ of the moment. Technology has almost eliminated the need to master this style of mixing—and record digging for that matter—but at the time it was mind blowing. Likewise, I was hooked the first time I heard Uneasy Listening, but all DJ sets are of the moment. Those tracks have become stale to my ears and do not elicit the same excitement as when I first heard the mix. However, their landmark mixtape does capture a snapshot of DJing when all the topcats were still using all vinyl.

Above is a screen capture of the CD in iTunes (click to enlarge). Instead of track names there is a slang-flavored paragraph about them pushing the envelope of DJing through their style of "mixology." It is dated and now funny because they were serious. MP3 track names below correspond to paragraph lines.

DOWNLOAD – A SEGMENT FROM UNEASY LISTENING VOL. 1 (2001)
Z-Trip & DJ P :: No Title (MP3)
Z-Trip & DJ P :: We Think After (MP3)

Z-Trip will be spinning at Studio B this Saturday (click to enlarge). I am curious to see if/how his style has evolved, especially since the last album he made involved guestspots from a bunch of underground rappers that might not go over so well on the dancefloor. Who knows how he has been spending his time since then. I might get excited for a brief throwback to another era, but way back.

UPCOMING SHOW
SAT 2/3 :: Z-Trip, Plastic Little, The Bangers @ Studio B. $12 tix, $15 door.

The Sad Stories of Chris Garneau

chris_garneau.jpg

Chris Garneau keeps quiet, he doesn't make any sudden moves, and he doesn't smile while singing. His songs are solemn but beautiful, repeating the peaceful moments just before a tragic ending. However, his calming voice and lighthearted jaunts over the piano keys keep you from thinking there is anything wrong. The strings, most likely a cello, counter the waltz of his piano with a weep and quiver. Sometimes his voice gets a little heated and an accordion or brushed drums waiver in the distance but the song doesn’t escape its melancholy.

This album came out on Tuesday on Absolutely Kosher, but I have been coveting Music For Tourists since the beginning of December. Maybe I hesitated to share because his songs are so intimate or because I have trouble pronouncing his last name. Nonetheless, Chris Garneau's frail and bare songs require a close ear and a long day. He proves you can be sad and harmonious.

Chris is a delicate mix of Doveman, Regina Spektor, Antony, and even Elliot Smith (he covers "Between the Bars" as the last track on the album). Thus, his album would come recommended to anybody who wallows in those discographies.

music_for_tourists.jpgUPCOMING RECOMMENDED SHOWS
FRI 2/2 :: Chris Garneau, The Ballet, Gregory and the Hawk, Michael Leviton @ Tonic, 8:00pm. $10.

DOWNLOAD
Chris Garneau :: Not Nice (MP3)
Chris Garneau :: Black and Blue (MP3)

January 28, 2007

Big Bands in Small Venues

As we gear up for 2007's tours and album releases, the opportunities to see big bands in small venues is overwhelming at the beginning of the year. Summer is the only better season for shows when there is a free concert, usually outdoors, every few days. But seeing bands like The Hold Steady at Northsix or Clap Your Hands Say Yeah at Mercury Lounge is pretty hard to top. Granted getting tickets to these types of shows have begun to require a strategy for even buying them online the second they go on sale, which might be at midnight or unexpectedly during lunch.

Shows like Cold War Kids at the Mercury or Union Hall - tired of them, Peter, Bjorn, & John at Mercury or Union Hall - not that interested, Arcade Fire at Judson Memorial Church - got shut out buying tickets, Bright Eyes at Bowery Ballroom - ok, I will be at that one, or LCD Soundsystem at Bowery Ballroom -and that one, all sold out instantly. You also have shows like Clipse at Bowery Ballroom that got moved down on the monopoly board of Bowery Presents venues to a smaller club (they were supposed to be at Webster Hall) because of poor advance ticket sales. This was great for the fans but bad for the artists who surely got a smaller check. Regardless, these small venue shows are the holy grail of concerts.

The crowd is full of extreme fans, no not the ones that slam Mountain Dews while kayaking in a convenience store (I am watching Harold & Kumar as I type this) but the ones that know the songs and will do anything for tickets. These are the people you want pumping their fist next to you in the crowd. The band is also usually more excited to be playing a smaller venue - just like the good ol' days, however long ago that might have been.

Here are some pics of the ones I have been to so far this year. The Hold Steady has been my favorite; the double encore with "Knuckles" and "Killer Parties" sealed the deal. That and Northsix is the same place where they played their first show ever as The Hold Steady a few years ago and the venue is closing at the end of the month.

CLIPSE (AND THE RE-UP GANG) AT BOWERY BALLROOM, JANUARY 24, 2007
clipse_24Jan07_1.JPG

clipse_24Jan07_3.JPG

CLAP YOUR HANDS AT MERCURY LOUNGE (LATE SHOW), JANUARY 24, 2007
CYHSY_24Jan07_3.JPG

CYHSY_24Jan07_1.JPG

CYHSY_24Jan07_5.JPG

THE HOLD STEADY AT NORTHSIX, JANUARY 24, 2007
holdsteady_18Jan07_2.JPG

holdsteady_18Jan07_1.JPG

holdsteady_18Jan07_3.JPG

holdsteady_18Jan07_4.JPG

January 22, 2007

Analog Rewind #4: This is Survival Music

245725560_94e1d36703.jpg
Cause you know, big heads and soft bodies make for lousy… (photo cred: greendrz)

Being 20-something in American society these days is like entering a war zone. The list of opportunities that are being rewarded in our economy is narrowing, and the dichotomy between rich and poor is perpetually widening. For those of us pursuing careers in vocational-intensive professions, we have to face workdays becoming longer, credentials becoming more rigid, competition becoming more fierce. We are the crash-test babies of an increasingly structuralized state of capitalism. Ultimately, I believe the system is fair and rewarding, but the journey can be exhausting.

As I’ve begun to outgrow my initial post-college occupation, I’ve entered the process of prepping for a graduate degree. It’s a process that pretty much requires signing away my social life as I’ve known it, but a reality that I’ve learned to accept. These past three months, the vast majority of my free time has been devoted to studying for a standardized exam. Studying in itself isn’t all that bad. But with a day job that essentially requires me to study for twelve hours a day, willing myself to study for a couple more hours at night becomes mentally exhausting. Nevertheless, I’ve embraced it as a new challenge, and I believe life is about figuring out what you’re capable of.

Without being able to devote the attention to music that it requires to get into a new band, I’ve been spending more time with my archives, re-discovering old favorites and digging deeper into back catalogs of artists that I like. I’ve spent some time re-evaluating why I even listen to music. I listen to music in almost every occasion: when I’m feeling happy, miserable, energetic, angsty, in the mood to party, in the mood to dance, just chillaxin. But never have I needed music as much as these past few months. To help me keep fighting at times when I’ve been exhausted, when it's been tempting to give up. I love music. And I pretty much owe my life to these songs:

Nas - Ether (9th Wonder Remix) (mp3)

(I) mess with your soul like ether
(Will) teach you the king you know you
(Not) god’s son across the belly
(Lose) I prove you lost already

Diss tracks typically have a shelf life. But the great ones (“Ether”, “The Bridge is Over”, “The Bitch in Yoo”) are a big part of what makes hip-hop so great – they essentially elevate music into a competitive sport.

Kool G Rap & DJ Polo – Road to the Riches (mp3)

I was sort of a porter takin’ the next man's orders
Breakin’ my back for a shack for headquarters
All my manpower for four bucks an hour
Took the time, I wrote rhymes in the shower

Before there was “Juicy”, this was the come-up tale. Come-up tales epitomize what I love about hip-hop – which is all the struggles and hunger of a hard life materialized into an art form.

Camp Lo – Luchini (A.K.A. This Is It) (mp3)

This is it, luchini pourin' from the sky
Let’s get rich, the cheeky vines, the sugar dimes
Can’t quit, now pop the cork and steam the vega and get lit

Evidence that Camp Lo never reached the popularity that they deserved: luchini is one of the hottest rap metaphors for money, but you never hear it in street conversation. I’m always hearing people drop references like duckets, paper, cheddar, scrillas. But have you ever heard someone say, “I gotta get that luchini”? Try saying it out loud, it sounds pretty ill.

Amerie – Blow (mp3)

5 months in ’99, workin’ hard but had nothin'
6 months later, tried to turn it into somethin’
7 days a week, I had to stay on the grind
8 bout to tell you that I didn’t waste time

Amerie, or any hip-hop soul singer for that matter, is really at her best when she quits trying to sing and just rides the beat. Love how she counts up 1 through 8 in the first verse, then counts back down 8 to 1 in the second verse.

David Ruffin – Heavy Love (mp3)

It's too high to get over, it's too deep to get under
It's too wide to get around, and it's weighing me down

One of the most moving musical experiences I’ve ever had was visiting an Afro-American gospel church. If you truly love and feel music, even if gospel/soul music isn't really your thing, I recommend trying this out once.

Kate Bush - Cloudbusting (mp3)

I just know that something good is going to happen
And I don’t know when
But just saying it could even make it happen

In an alternate universe, Joanna Newsom could harness all her storytelling abilities into more palatable songs the way that Kate Bush does. "Cloudbusting" is based on A Book of Dreams by Peter Reich, which is on my to-read list once I get my exam out of the way.

The Thermals – Returning To The Fold (mp3)

I regret leaving my soul, I forgot I needed it to feel
Maybe when I die, I'll just grab it real quick, I'm coming right back

My favorite song of 2006. This song came at a time when I was beginning to explore my personal connection with spirituality. I’ve been opening my mind up to a lot of different religious philosophies, and it’s enough to bend my brain all out of shape. But when I listen to this song, somehow it all seems a little clearer.

Rancid – Red Hot Moon (mp3)

Under the red hot moon, take a bus downtown to the graveyard shift tonight

This band meant so much to me when I was in high school. I loved that they had the sort of territorial pride that was typically reserved for rap artists, referencing visuals of SF/Bay Area places I grew up around, like the Tenderloin District, Sharmon Palms, West Grand. By the time Indestructible was released in 2003, I was busy getting caught up in all the HotHotYeahYeahRapturePol hype. I didn’t even know Indestructible existed until last month, so really it’s been a gift.

The Bouncing Souls – Kate is Great (mp3)

Remember me now, cause things always change

I reviewed this song for a fanzine when I was 16, and declared it my favorite song. It’s about coming of age, and as I’ve grown older, my connection with it has only grown stronger.

Sunny Day Real Estate - 48 (mp3)

Show me a sight in the side of chance
Hold tomorrow, one foot in and one foot out
Are you strong enough? Are you strong enough?

I first got into SDRE when I was 13, entering an initial phase of self-discovery. “48” really spoke to this bottled-up, nervous teen energy that I was feeling. Jeremy Enigk was always so intense, but in this controlled fashion. Rarely did he scream. So when he launches into this full-on outburst, there's a real urgency behind it.

Taking Back Sunday – Up Against (Blackout) (mp3)

Face it, this is what we’re up, up against!
You’re waiting, and every minute is a minute away!

My favorite emo sing-along of 2006. For me, a well-written emo song is more satisfying (not saying it’s better music) than anything indie bands like The Arcade Fire and Broken Social Scene could create. Emo is a style of music that just lends itself to being explosive, and if you allow yourself to get into it, you’re going to feel something.

January 19, 2007

Flosstradamus at Studio B

klash1_14jan07_01.jpg

The first Klash party was Sunday night at Studio B. This place was built on the model of Studio A in Miami and probably works best as a venue for huge crowds dancing. With much of the same overlapping crew, Klash was like The Rub on steroids. Chicago's Flosstradamus (downloads at his myspace) was the main attraction with Pase Rock and Cosmo Baker also spinning a few records. Spank Rock and Ayers were in the DJ booth occasionally shouting a "Yo Yo Yo" or a "You are now rocking with ____." Atrak and Catchdubs served as hypemen as they nodded their heads and pumped their fists in the background. So basically you saw everyone you might see at any given Rub all in one DJ booth. The major downfall of the party is that PBR, for example, is $5 at Studio B instead of the $3 it cost at Southpaw. But there were twice as many people shaking it on the dance floor - some were even crowd surfing. As the music flowed, the crowd transformed from a mosh pit to rave to an ass-shaking competition. There were even people walking around taking party photos. Kudu also performed and threw goop in the crowd. Klash = The Rub on steriods.
Flosstradamus is not the next Girl Talk. The "DJs" have different styles. The duo of Flosstradamus spin more like traditional DJs, using turntables but not vinyl. They try to read the crowd with their selections, scratch a bit, play remixes, and ride big chunks of a song. Girl Talk on the other hand, pre-mashes everything and could be playing Minesweeper for all we know. Although to his credit, I have not seen him repeat the same thing live so there is a lot of work leading up to the "performance." Anyway, Girl Talk will play some songs at Studio B in February, which will conveniently allow us to compare who rocked the party better. Klash was fun though.

[photo credit]

Yes, crowd surfing at a dance party . . .


January 08, 2007

Matt & Kim at Studio B

mattandkim_06Jan07_02.jpg

Matt & Kim had a huge show at Studio B last Saturday. There is a full review over at Product Shop. Now they are off to California to open for Girl Talk. People are going to pass out from exhaustion. If you find yourself at one of their upcoming shows, be sure to swing by the merch table because they have new (free) buttons.

Might I also remind you that they have four MP3s at their website. Yea Yeah (MP3) is one.

[photo credit: pavedark]

January 05, 2007

Burn Baby, Burn. And Shows This Weekend



I don't have Arcade Fire tickets (yet). Please contact the Arcade Fire Dept. with any complaints about not getting yours. Then go do this stuff with having to sit in a virtual waiting room or even having to wait for the show to come around.

FRIDAY
People Don't Dance No More @ Element, 10pm. $10 ticketweb / $15 door. Finally, you too can be one of those annoying people in line next door to the Mercury Lounge. Except most people won't know you are waiting to see Druzzi (somebody from The Rapture) and James F!@#$%^ Friedman DJ.
The Pull-Out Method @ Midway, 11:00. Free. Vampire Weekend will play and some other surprise band. This will go late and be full of cool people.

SATURDAY
Matt & Kim, Aa (Big A, little a), Tiny Masters of Today @ Studio B, 8:00. Well worth the $6. I might even get up front with my bum hand.
Black Dice @ Bowery Ballroom. I never thought I would see the day.

Photo credit to The Jane Family. Thanks.